Ipsa’s holiday packaging, designed by Bangal Dawson, leans into a bright confidence that feels deliberately at odds with what we typically expect from seasonal releases.

The post Ipsa’s Holiday Packaging Ditches Seasonal Tropes and Opts For Whimsy appeared first on DIELINE.

Soulcare’s packaging by TSUBAKI KL leans into a clean, borderline clinical layout, but with small design decisions that keep it from feeling overly sterile.

The post Soulcare’s Precise Skincare Game Packs a Punch appeared first on DIELINE.

After a year-long rebrand, Haeckels is now Duclie, but they still have the same Vivomer-based packaging.

The post After Year-Long Rebrand, the ‘Brand Formerly Known As Haeckles’ Is Now Dulcie appeared first on DIELINE.

RUBA’s packaging leans into a terracotta palette and sculptural forms.

The post RUBA Sets the New Standard in Reusable Skincare appeared first on DIELINE.

INBAR+Co leans into oversized serif typography that runs the length of the tube, turning the name into the graphic.

The post INBAR+Co Shows Good Skin Starts With Good Chemistry appeared first on DIELINE.

Lore’s bottle treats fragrance like an object, not an accessory. Soft, weighty glass, pebble proportions, and a chrome cap are inspired by arisian artist André Thuret's work.

The post Lore Packaging Bottles Up a Smarter Take on Perfume Design appeared first on DIELINE.

Daily Spoon's packaging, designed by andstudio, leans on editorial typography and disciplined color blocks. Large serif headlines are highlighted within each variant, while dense ingredient copy feels intentional instead of decorative.

The post The Daily Spoon’s Supplements Have Nothing To Hide appeared first on DIELINE.

Cocofloss expands its offerings and rebrands to Cocolab with a new brand world courtesy of Wedge.

The post Wedge Brings ‘Dental Dopamine’ to Cocolab Rebrand appeared first on DIELINE.

Studio Pulp & Pixel gives The Souk Factory a packaging system that runs entirely on deliberate structure and high-impact contrast.

The post Souk It to Me with Packaging That Truly Sticks appeared first on DIELINE.

Ora’s rebrand, designed by ROMAN KLIS, leans into a deep cobalt palette. The typography pairs a soft, looping “ora” wordmark with sharper, serif product names, creating a hierarchy that’s easy to scan.

The post Ora’s New Look Packs a Gut-Punch of Clean Design appeared first on DIELINE.